Rainy Miller’s Fixed Abode label hosts Richie Culver - another leading DIY voice of the mid 2020s - on his debut drill x ambient noise album ‘I Trust Pain’, transposing and expounding on the striking statement of his titular painting in an 11-track exemplar of neo northern gothic, and prob the only drill album in existence that samples Dominique Lawalrée. Biggup.

Trading '808s...'-era Ye for Jim White, Preston's Rainy Miller inaugurates his "Northern Gothic" aesthetic on 'Joseph...', blurring subtle 'ardkore memories with etherised chorals, Jandek guitars and ragged industrial noise. Next level gear - properly crucial listening if yr into anything from Rabit and Space Afrika to Alliyah Enyo and Third Eye Foundation.

Iceboy Violet mutates drill rap and ambient noise with heavy inspo from desire and fantasy- a sureshot RIYL Rainy Miller, AYA, Blackhaine, Elvin Brandhi, Visionist. "Not A Dream But A Controlled Explosion is a project about the role desire and fantasy plays in our lives. What is considered fake is constantly constructing the world we want to live in and the people we want to be, as we brush up against fantasy, as we feel the everlasting tug of desire, our reality is pressed into shape almost entirely by daydreaming, hallucination, and yearning."

Ambitious, complex and hooky breakthru opus by NW english rapper/ producer/songwriter Rainy Miller, featuring contributions from Space Afrika, Blackhaine, Maxwell Sterling, Jam City, Georgia Ellery, Henzo and more. Highly emotive and bruised gear, it’s essential listening if yr into Future, Chief Keef, Drake, more eaze, Rabit, Wayne Phoenix, Burial…

Ice_Eyes (Athens) & Locre (Berlin) present their immersive collaborative EP ‘Dreamless Shadows’, building on leftfield electronic music forms and experimenting with modern club territories, techniques, and atmospheres. 

Shell Company revel in creating swells of sound that feel tidal in their swaying ebb and flow, occasionally cut through with more defined motifs or plunged downwards through a satisfyingly brittle lo-end crackle. The memories that fray on a post-club night walk home reside here, underpinned by Rosabella's poetry, part 5am epiphany, part deeper yearning for a shift in scenario - it’s a quiet battle for hope against boredom, despondency and the gnawing anxiety of life darkened by the ever-lengthening shadows of 21st century Britain.

Blackhaine and longtime collaborator Rainy Miller develop the dramatic storyline of Armour on a scintillating follow-up to their breakthru 2020 debut. Revolving visceral reflections on a slow motion car crash, Armour II sees Blackhaine and former classmate, now his producer, Rainy, brilliantly advance on and inhabit their socialist-realist style of drill noise sonic fiction thru a refined arsenal of narrative devices, amplified in effect by astonishingly inventive sound design.

Italian producer Cheval – who hails from the small city of Treviso spent his formative clubbing years in Berlin, but is just as influenced by bass-heavy UK genres as he is by techno.